Stop, Drop and Roll: Adding the Crisis Scene
By Janice Hanna Thompson
"Love, Laughter and Happily Ever Afters!"
http://www.janicehannathompson.com
"Love, Laughter and Happily Ever Afters!"
http://www.janicehannathompson.com
You’re at the ¾ point in your
novel and facing that all-important crisis scene. The Supreme Ordeal. The Black
Moment. The Big Gloom. You know it’s critical to the story’s survival, and you
want it to be the best it can be. Still, you’re unsure of how to progress. How
does one go about writing a crisis scene, anyway? What does a confused writer
need to know? It’s as easy as “Stop, Drop and Roll!”
STOP!
Stop the clock. Make the reader
feel like time is standing still. Like they can’t possibly breathe until you
start the clock again.
Stop the romance. There’s a time
to kiss…and a time to save the planet. It’s time to save the planet.
Stop the sunlight. It’s time to
cover your story in shadows.
Stop the reader’s heart. Leave
him breathless and worried.
Stop the POV character’s chances
of survival. Things have to look hopeless at this point in the story.
Stop pretending the POV
character’s got it all together. Every flaw is now exposed and every hidden
motive revealed.
Stop the cheerful chatter. No
time to sound uplifting or cheerful. The crisis scene calls for tense, sobering
word choices.
DROP!
Drop the plotline. You’ve been
building, building, building. Now let it plummet.
Drop your reader’s hope. Make him
think the story can’t possibly work out.
Drop your POV characters to a
physical low.
Drop your POV characters to an
emotional low.
Drop the lengthy narrative.
Crisis scenes call for short, quick dialogue and very little narrative. Cut off
words by using –em dashes. Leave off tags. Push aside descriptives. Cut to the
chase.
ROLL!
Roll up your sleeves. Writing the
crisis scene is tough work. You need to learn how to do it effectively.
Roll up (tighten) the tension
coil. Tighter! Tighter! Tighter!
Roll over and play dead. Your
character has to face death (death of a dream, death of a romance, death of
hope, etc.) This isn’t a physical death, of course, though it might look as if
your primary POV character might face a literal death.
Roll out the punches. Your
character’s going to have to come out swinging.
Roll out the sword! Your
character needs to be armed and ready to do battle.
Roll the stone away from the cave.
Resurrection day is coming!
Roll toward the resolution.
Everything has to turn out okay in the end.
The next time you face a crisis
scene in your book, just think of these three little words: Stop, Drop and
Roll!”
If you’re looking for additional
help with your plotline, consider Janice's fiction writing course. It’s loaded with
helpful information for novelists and will give you the tools you need to keep
the plot going. Check out her site at
www.janicehannathompson.com
www.janicehannathompson.com
Thanks for stopping by. Do leave a comment if this article was helpful. Do you have a plan in writing your crisis scene or Black Moment?
Blessings,
Elva Cobb Martin