Writing the Cozy Mystery - Part 1 Mystery, Suspense or Horror?

by Elva Cobb Martin

I've had a cozy mystery novel on the back burner for quite a while and have just decided to pull it up to the front burner. You are invited to trek along with me as I refresh my thinking about mysteries in general and this cozy book idea specifically on my next several blogs. Of course, my cozies will always have a good dose of romance!

To start with I've refreshed my understanding of the difference between Mystery and Suspense novels, and also Horror novels.

Here's a fave mystery writer's definition of Mystery: 
A Mystery is a story that has a crime already committed (preferably violent like a homicide) and the suspect is unknown until the end of the story. Mysteries can be broken down into sub-genres like Hard-Boiled Mystery, Police Procedure, Detective Stories, Cozy Mystery, Legal or Medical Mysteries, etc.

A Suspense novel is where the suspect may be be known to the reader, but the thrust of the story is the protagonist's attempts to catch, stop, or overcome the antagonist before a murder or mayhem can be committed.

Another interesting break down I've seen is the difference between Crime/Mystery, Suspense, and Horror stories relating to four aspects:

1) The Murder 
2) The Secrets 
3)  The Question
4) The Appeal

The Murder:
Crime/Mystery: The body is discovered close to the beginning.
Suspense: We anticipate the murder.
Horror: We see the murder happen in real time.

The Secrets
Crime/Mystery: We know none of the secrets until later.
Suspense: We know half the secrets; the characters know none.
Horror: We know all the secrets.

The Question
Crime/Mystery: Who did this and why?
Suspense: Will the character live or die?
Horror: How and when will the character die?

The Appeal
Crime/Mystery: Intellectual Curiosity.
Suspense: Worry and Concern
Horror: Gut Reaction

So now that I've gotten that review freshened in my mind, I will be ready next time to delve into the specifics of Cozy Mysteries.

Do you like mysteries? Do you  like to read Robert Whitlow's legal thrillers? Many of us call him the Christian version of John Grisham. WHO doesn't like Agatha Christie or Perry Mason, Monk, Colombo, Murdock, or Father Brown?  My husband will watch most of these series with me on TV. There are several good mystery series, but my favorite are cozy mysteries. In my next blog I'll tell you why and define what makes them "cozy."

Would love to hear about your fave mystery writer. And please do share this on your social media by clicking on the small icons below.

Blessings,
Elva Cobb Martin
Link to all my books on Amazon: http://amzn.to/2pOgVHI

Planning Your Novel - Part 10 The Fiction Proposal

by Elva Cobb Martin

Have you writen a fiction proposal? It's good to start work on this before you finish your final novel draft. The first place you need to check is the submission guidelines for whatever publisher you're thinking of sending your proposal to. Publishers and agents usually have a proposal form or template on their sites and guidelines to follow. 

I recently sent a proposal out for the new historical series I've showcased in this series of blogs. In my email cover letter I notated the different sections in my attached proposal which included the first three chapters of Book 1, Spanish Rose, all in a single attachment. Here is the list I gave in my email cover letter so the editors could skip to whatever sections they were more interested in.

My Proposal sections include:

1) Working Title and author basic information for Spanish Rose
2) Premise
3) Pitch
4) Back Cover Tag
5) Back Cover Copy
6) Author Bio & Photo
          (all the above is on page 1 for quick perusal)
7) SYNOPSIS (at least one page single-spaced)
8) Web and Social Media Presence (numbers)
9) Marketing Strategies
10) Potential Readers for Spanish Rose/Inspirational Romance             (Primary and Secondary audiences)
11) Market Comparative Analysis
12) Hero/Heroine Character Descriptions and Motivations for                Spanish Rose
13) Projected Book 2 blurb, 1760 Charles Town and the Barbary             Coast
14) Projected Book 3 blurb, 1780 Charleston
15) Spanish Rose, first three chapters

It might not be necessary to include this list in a cover letter, but I decided I would this time. I've always liked numbered lists. This way the editor can quickly check what she might want to look at first.

One point to remember about the synopsis. Unlike back cover copy, this should show the major turning points of the story, the climax, and how the story will end. We never want to leave the editor or agent in suspense about how the story ends. But we will want to do this in the back cover copy to hook readers.

Thanks for stopping by. Do you have a suggestion for a better proposal? What helped you do a successful proposal? Do leave a comment and share this on your social media by clicking the below small boxes.

Blessings,

Elva Cobb Martin

Why I Write Christian Fiction - Update

by Elva Cobb Martin

I wrote the below blog some time ago but feel it's message still needs to be shared. Christian publishers, bookstores, and authors are under more pressure than ever to do whatever it takes to stay in business or to reach more people and sales. Some think watering down or eliminating the Christian emphasis of their books will do the job. What if we just eliminate all Christian "buzz words" that might make someone of another faith uncomfortable? We can still give them an exciting read and a good moral lesson that will fit the beliefs of a lot more than just Christians. So goes the line of thought. Some of you may be struggling with this issue.

So here again, is why I write Christian fiction:

Why I Write Christian Fiction  - posted January, 2016
by Elva Cobb Martin

The beginning of a new year is a good time to remind myself that I am above all a Christian writer, endeavoring to write Christian fiction.
Two opposite worldviews drive fiction today.


Jesus in John 10:10 gives a succinct description of the two "drivers" behind fiction (and life itself).

            "The thief comes not but to steal, kill and destroy. 
          I am come that they may have life and have it more abundantly."

Our son Tim and grandson Samuel, both readers.

I am not writing fiction just to get books published, sold, and give readers an exciting read, although those are goals. A deep desire burns in my heart to see readers, and generations yet to come, find some truth that enlightens, some kernel of God's abundant life that helps them on their way.

This is not the main goal of secular fiction. Christian fiction and secular fiction are divided by two vastly different worldviews. Many believe America has lost her moral compass, so it is more vital than ever that I do everything I can to turn this tide around in my writing (as well as in my lifestyle).

Someone has said worldview can be determined by the answers to three questions:

• How did we get here and who are we?
• What went wrong?
• What can fix it?                                                                                                

The Christian world view short answers would be:

1. God created the world and made mankind in His image to have dominion.
2. Adam and Eve sinned and brought condemnation and Satanic rule upon      mankind.   
3. Sin must be punished but God loved mankind so much He sent Jesus Christ as our substitute to defeat Satan and take our punishment so we could be forgiven and restored to God's original plan.                         

A naturalist worldview would have quite different answers to these questions and secular novels, movies and TV reflect this. This kind of story can steal one's peace and faith in God, tempt into sin, and leave one with a cynical outlook on life and the future. And it's all part of the enemy's deception to keep people in bondage. Truly, two different spirits are inspiring writers today!

In my writing I want to expose the lies and tricks of the devil and show that good does conquer evil, that God's great drama will prevail and believers can confidently look forward to a happy ever after. I want to increase hope, faith and peace in my readers. Otherwise, I'm just not interested in all the hard work it takes to write novels. 

Prayer over my writing is a vital component. I am convinced Father God is interested in getting Christian writing, including fiction, out where it can do some good. So I study, write and rewrite and rewrite some more. ( :

I believe there will always be a great market for Christian fiction because the world is looking for hope.

I think that's a big part of Downton Abbey's success. It is now touted as the best selling series in British TV history. (Sorry, Agatha, Jane Austen and Sherlock.)

Writer Julian Fellowes was asked what he thought has made the series so popular. Here's his answer: "Most of the characters are just decent people trying to do their best with the cards they've been dealt. They are just trying to live a decent life."

Christian writers have much more hope to give for those cards life may deal our characters.

Why do you write fiction? Do you believe God loves good stories that illuminate life more abundantly? Do you think America needs us to keep at it?

Thanks for stopping by and do join the conversation. 

                                               ***

So, the above is still my stand. How do you feel about Christian fiction? If you are a writer, are you tempted to compromise a Christian emphasis "to reach more people" or sales? Do you agree with me there will always be a market for good Christian fiction?

Would love to hear your comments.

http://ctt.ec/5Jr_w Click to Tweet Why I write Christian Fiction Update

Elva Cobb Martin is president of the South Carolina Chapter of American Christian Fiction Writers (2014-2017). She is a former school teacher and a graduate of Anderson University and Erskine College. Decision, Charisma, and Home Life have carried her articles. She has two inspirational novels contracted with Lighthouse Publishers of the Carolinas. Summer of Deception, a romantic suspense, available on Amazon. An historical romance,  In a Pirate’s Debt, is slated for release May 30, 2017. Elva is represented by Jim Hart of Hartline Literary. A mother and grandmother, Elva lives with her husband Dwayne and a mini-dachshund Lucy, in Anderson, South Carolina. Connect with her on her web site www.elvamartin.com, her blog http://carolinaromancewithelvamartin.blogspot.com on Twitter www.twitter.com/Elvacobbmartin, on Facebook and Pinterest.

                                                                                                  

My Journey to a Book Contract - Part 9 Preparing for Editors and Agents

by Elva Cobb Martin  @ElvaCobbMartin

You can master all kinds of writing craft but if you don't learn how to submit to editors and agents, you might never get that dreamed of open door to a book contract and great adventure.

Recently I learned about some excellent editing programs that can help you polish a manuscript before submitting to an editor or agent. Google these editing program names: Autocrit, Hemingway, Grammarly to see what might work for you.

Once you have your ms in what you think is your best form, you should read publishers or agents submission guidelines carefully and do exactly what they say to submit. It's amazing how many don't think they need to follow submission guidelines. You can google any publisher, editor or agent's name and go to the link for Submission Guidelines. All this study is vital before submitting.

Attend writers' conferences! At writers' conferences, the editors and agents will write in their class sections in the syllabus what type manuscripts they are currently interested in. See where yours would fit and make an appointment with that editor or agent, and sit at their table. In this picture I am at a dinner seating with MacGregor Literary Agent Erin Buterbaugh at the Blue Ridge Mountains Christian Writers Conference at Ridgecrest, NC.

For editors and agents you need to learn what One Sheets are, query letters, book proposals, pitches/loglines, tags. You can google these terms and find a lot of information. Appointments at conferences are only 15 minutes so you have to have your pitch ready to go and hopefully, a One Sheet. Don't know what a One Sheet is or like to see a sample? Leave a comment and ask for a sample to be sent to your email address as an attachment. Don't forget your email address! An appointment with a Prism Book Group editor at the 2015 conference I attended at Blue Ridge, and my carefully crafted pitch and One Sheet, led to my first book contract --for Summer of Deception  released in March 2017.

Pitch or Logline
This a one or two sentence nutshell that explains what your story is about and HOOKS the reader or editor.

Sample 1: Jacob Marshall must avenge his father's honor by implicating Serena Jones' Father only to realize revenge often hurts the innocent.

Here's a simple work template to write your pitch:

(Your protagonist) ______________MUST________________ (critical plot goal BY_______________ (action or conflict with the Antagonist) ONLY TO REALIZE ________________ (what the character learns about life that helps him change his goal during the journey of book or come to a satisfactory ending.)

Here's my pitch I wrote for Summer of Deception using this template, and I pitched this book to Prism Book Group:

Rachel York tries to unearth the truth about her brother's reported death by taking a position at a Carolina tea plantation, only to realize the truth may destroy her new found love and could even cost her life.

Tags
A tag is a much briefer hook, like back cover copy's first line or two in large print, or movie bylines.

To boldly go where no man has gone. (Star Wars)
Don't go in the water. (Jaws)
Seth Kincaid remembers almost everything . . . except getting married. (novel tag)
Power comes with a price (The List by Robert Whitlow)

My tag for Summer of Deception:
A wounded warrior . . . a woman searching for truth.

Rejections happen to all! Never forget this. Summer of Deception was rejected 26 times over several years, but I kept honing my craft, rewriting and submitting. Here are some comments I received with rejections:

Too much telling. (White Rose Publishing)
Too wordy - too much description (Agent sue Seymour)
Too long for publisher's guidelines (Editor Yvonne Lehman)
Not a fit for us. (Harlequin Love Inspired)

Make up your mind. YOU will not give up! Track your submissions by date, person submitted to and their response. Keep a Writing Log Notebook as you progress with your writing daily or weekly.

So glad you stopped by today! Did any of this help you? Do leave a comment and share on your social media if helpful.


Here's my scripture prayer for you and all Christian writers:
Make our words "like a gushing stream, (sparkling, fresh, pure and life-giving.)" Prov. 18:4b Amplified Bible

This is the last part of this series on my "Journey to a Book Contract." Now, as Randy Ingermanson would say: "Go write a heartbreaking work of staggering genius."

Onward in His Steps,
Elva Cobb Martin

My Journey to a Book Contract - Part 7 Internal Dialogue Editor's Notes

by Elva Cobb Martin

Today I am sharing some internal dialogue notes from the Prism editor of  my romantic suspense novel, Summer of Deception, which is to be released in March, 2017.

What do you think the characters in the pictures below might be thinking?

Secret: My hero for my next novel. Ethan Wentworth. He's begging me to tell his story.

Internal Dialogue and Italics – Notes from Susan Baganz, Editor, Prism Book Group

   Internal dialog is the way someone talks to themselves in their minds, it’s not just mere thoughts)

1) Just plain thoughts are not italicized.  

     

     Was this a manipulation?  

     Good gravy. Was this the way the Marines landed?  

    

2)When the character is actually talking to himself, that should be italicized. 

   

      It was just a nightmare. It was just a nightmare.

      Get out of my way, please.

      Not expecting her?

      A pleasing fragrance emanated from her. Musk or lavender?

3) Silent prayers are italicized.

     God help me.

     Lord, thank You for this wonderful summer position, but I’m going to need Your help big time to sit at table with this man every day.

4)  Third person past tense versus first person present tense in thoughts. (This was an eye opener for me)

         

     Incorrect: Wipe the silly smirk off your face. (Simple thought of character I had in italics)

    Corrected: She longed to wipe the silly smirk off his face.

    

     Incorrect: Yes, what is preventing me?

     Corrected: Yes, what was preventing her?

      Incorrect: So you don't care a thing about Morgan, Mr. Barrett? And you think marijuana shouldn't be legalized, but you've stashed a fortune in cocaine in your attic.

     Corrected:  So he didn't care a thing about Morgan. And he thought marijuana shouldn't be legalized but he stashed a fortune of cocaine in his attic. 

Please share any tips you have about internal dialog, and do share this blog on your social media if it proved helpful.

Elva Cobb Martin

My Journey to a Book Contract - Part 6 Deep Point of View

by Elva Cobb Martin

Part 6 - Master Deep Point of View (DPOV)

I highly recommend you purchase a copy of Rivet Your Readers with Deep Point of View by Jill Elizabeth Nelson! It is a small book but a great help in mastering DPOV.

DPOV draws the reader into the arms and head of your character.

Mastering DPOV often eliminates most problems with show/don’t tell and italics.

Here are some quick pointers:

♦  Never say he/she thought, felt, knew, wondered, realized, decided. 

Simply write what it is.

    Wrong: He understood how much this would mean to her. He knew she’d be worried.

    Right: This would mean a  lot to her. She would be worried.

♦  Don’t name the emotion, describe it instead.

     

     Shallow: Jealousy flashed through me.

     Deep: Heat boiled my insides. If that wimp could win a trophy, where was mine?

♦  Describe physical effects on the body: 

         Anger: His hands formed into fists.

       Nervous: Sweat popped out on his palms. His throat closed.

♦  Ditch Prepositional telling phrases (of, with, in)

     

     Shallow: Desiree’s skin prickled with pleasant excitement.

      Deep: Shadows deepened. The place reeked of ancient secrets.   Desi's skin prickled.

♦  Don’t use he/she saw, tasted, smelled, heard. Simply state what he saw, tasted, smelled or heard.

     Shallow: He could see the tip of the dog’s nose peeking out of the                            closet.

     Deep: The tip of the dog’s nose peeked out of the closet.

     Shallow: He tasted bile. 

     Deep: Bile rose in his throat.

Do you have some tips to help master DPOV? Please leave a comment and share on your social media if this blog helped you.

Elva Cobb Martin

My Journey to a Book Contract - Part 5 Show Don't Tell

by Elva Cobb Martin

Show/don't tell is a biggie for us writers to master, and I keep working at it, believe me. Randy Ingermanson has helped me a lot. Here is an excerpt from his blog archive at https://www.advancedfictionwriting.com

How to Show/Not tell 

by Randy Ingermanson

 1) Action: Anything your characters do, shown in real time. 

• Jake swung the bat into the kidnapper's head.

 2) Dialogue: Anything your characters say, shown in quote marks.

      "Take that, you scurvy dog!" Jake shouted.

3) Interior Monologue: Anything your chracters think, whether a verbatim record of the thought or a mere statement of it. Verbatim thoughts are often shown in italics, whereas indirect thoughts never are.

    And if you ever touch my daughter again, you're dead.

    What were these idiots thinking, to mess with the daughter of a Navy Seal?

4) Interior Emotion: Anything your characters feel. This is best done by showing direct physiological reactions which can be interpreted as emotions.

      Another rush of adrenaline boiled up in Jake's stomach.

5) Description: Anything your characters can see, hear, smell, taste, or touch.

     Two gunshots range in quick succession. The bare light bulb in the basement exploded in a curst of darkness. Cold air rushed over Jake like a river. He smelled gunpowder so strong he could taste it. The small red dot of a laser aiming device raced across the floor toward his feet.

What has helped you show/not tell? Please leave a comment and share this blog on your social media by clicking on the icons below.

Elva Cobb Martin

My Journey to a Book Contract - Part 4 Master GMC and MRU's

by Elva Cobb Martin

We continue "My Journey to a Book Contract" and honing your craft. This is Part 4. You can access Parts 1-3 in our archives.

Master “Goals, Motivation, and Conflict” 

(check out a great book with same title by Debra Dixon)

Your hero, heroine and even other characters should have a:

        Goal – What they want

        Motivation – Why they want it

        Conflict – The why not (what stands in their way)

   

   Internal and External Needs evolve into Goals, Motivation, Conflict which drive the story.

           Carolyn Greene says inner conflict is what gives characters’ something to think about.

           External conflict propels the plot and gives characters something to do.

           Inner needs can be universal and intangible: respect, acceptance, security, safety, love

           External needs should be tangible and resolvable:  justice, revenge, the truth, job promotion   

Example: Kirsten Arnold wrote on a Seekerville blog comment her idea at Internal and external GMC & logline.

Log Line/Pitch: A rugged Alaskan hunting guide must save the younger brother of the woman he loves while learning to accept the forgiveness that can set him free and open the door to love and life. 

    

Who: Cooper Maitland: Alaskan outfitter/hunting guide

External GMC: Cooper wants to help the FBI catch drug traffickers operating as Alaskan fishermen, and save Bryce Wallace the kid brother of McAye Wallace the woman Cooper loves.
Internal GMC: Cooper wants to forgive himself and accept God’s forgiveness for the terrible mistake he made that cost McAye’s sister her life. His love for McAye stands in the way, because it serves as a constant reminder of his past and keeps him mired in guilt.


Master MRU’s - Motivation Reaction Units

(Should be in this order but don’t have to include all 4)

  1) Physical or gut level

  2) Thought

  3) dialog (can be combined with action)

  4) action

Incorrect Order (example from my draft of Summer of Deception)

Rachel looked at him for a long moment. First the housekeeper, now this man. Wasn’t anyone expecting her? A sting shot through her empty stomach. But she shook off her uneasiness. Everything could be cleared up in two seconds. She dug in her handbag. “Mr. Barrett offered me a summer position. I have his note here.”

Corrected Order: 

A sting shot through Rachel’s empty stomach. Wasn’t anyone expecting her? First the housekeeper, now this man. She looked at him a long moment and cast off her uneasiness. Everything could be cleared up in two seconds. “Mr. Barrett offered me a summer position. I have his note here.”

She dug in her handbag.

What helped you master GMC or MRU's? Please leave a comment and share this blog on your social media by clicking on the icons below.

Elva Cobb Martin

My Journey to a Book Contract - Five Vital Steps (Part 3 Theme)

Howdy Writer Friends, 

Today I continue my series on "My Long Journey to a Book Contract - Five Vital Steps."
You can get the full blogs in my archives on Part 1 and 2 but here is a fast review:


Here are the five steps I listed in Part 1:

1) NEVER give up!
2) Keep Honing Your Craft
3) Importance of Conferences and Writing Groups
4) Help Other Writers 
5) Learn how to Submit to Editors and Agents

In Part 2 I covered four ways I've learned to plot a novel. 

Today, in Part 3, I continue with "Honing Your Craft" and important things I learned that helped me on the way to a contract. 

Plug into a Theme - A story’s most basic element

The author’s worldview, their core values and outlook on life, drive the theme. Here are 10 central themes in film and books constantly repeated which describe an opinion about society, human nature, God, or life in general.

1) Good vs. Evil   - Star Wars, The Chronicles of Narnia,

         The War Room

2) Love Conquers All   - The Notebook, Love Comes Softly                      series, The Passion

3) Triumph over Adversity – The Blind Side, Facing the Giants

4) Individual vs. Society – Schindler’s List, The Elephant Man

5) The Battle – Braveheart, The Patriot, Attila

6) Death as a Part of Life – The Shack, Driving Miss Daisy

7) Revenge – Cape Fear, Revenge of the Nerds

8) Loss of Innocence – Sixteen Candles, Toy Story 3

9) Man vs. Himself – Gone with the Wind,The Godfather

10) Man vs. Nature –Jaws, Armageddon, Jack London stories,               Survivor shows

A quick check of stories in the Bible will reveal many universal themes. In fact, the Bible hasn’t left out any nitty-gritty issues mankind faces.

■ Husband and wife join in wrongdoing (Adam/Eve, Ahab/Jezebel, Ananias/Sapphira)

■ Jealousy/sibling conflict (Cain/Able, Rachel/Leah,                       Joseph/brothers)

■ Love/hate triangles (Abraham/Sarah/Hagar;                                     Jacob/Leah/Rachel)

■ Arranged marriages (Isaac/Rebecca, Jacob/Leah/Rachel,               Christ and His Bride

■ Rape (Dinah and Shechem; Tamar and Ammon)

■ War and its mighty men (Joshua, David, Gideon, Samson)

■ Women’s rights (the daughters of Zelophehad Joshua 17:3-6)

■Adoption vs. Infanticide (Moses)     

■Adultery/Murder (David/Bathsheba) (Hosea)

■ The perfect love story – Ruth and Boaz

■ The Wrong Kind of Sex  – Sodom & Gomorrah, the Levite’s concubine (Judges 19), Samson & Delilah

■ Redemption and Forgiveness – (the Prodigal Son and                        numerous stories)

Because I'm an inspirational writer, I want my novels to reflect my Christian worldview, core values and outlook on life, through whatever theme I choose. That's the legacy I want to leave with my readers and future generations.

Can you discern the writer's worldview in the movies and/or books you have read recently? So much being written and filmed today is in a secular worldview, but I do love to read and view stories with a strong Christian worldview. How about you?

What is your theme in your current WIP? Can you add to our theme list? Please leave a comment and share this blog on your social media if it helped you.

Elva Cobb Martin

          

My Journey to a Book Contract - Five Vital Steps (Part 2)

by Elva Cobb Martin

For a long while my dream of securing a book contract seemed like an impossible goal- like reaching for a castle in the sky.

If you missed Part 1, you can find it in the archives.

Here's a quick list of the Five Steps that helped me finally land my first book contract. It is with Prism Book Group for my inspirational romantic suspense novel, Summer of Deception, to be released in 2017. 

Drum-m-m ROL-L-L! I have recently signed a second contract with Lighthouse Publishers of the Carolinas for my historical, In a Pirate's Debt! So now I am into edits on TWO books at the same time. (Yes, that's a prayer request in the subtext). Selling the second book has been quicker maybe because I started writing it before I sold the first one. ( : 

Here are the five steps I listed in Part 1:

1) NEVER give up!
2) Keep Honing Your Craft
3) Importance of Conferences and Writing Groups
4) Help Other Writers
5) Learn how to Submit to Editors and Agents

Part 2  Keep Honing Your Craft!

Learn how to Plot a Novel  - 4 Ways I’ve Studied               

A) The detailed Authors Boot Camp Manual can be found at

    http://seekerville.blogspot.com/2016/01/the-authors-boot-camp-   manual-for-2016.html. (archived under Boot Camp)   

     There are tons of links compiled for every aspect of plotting and writing a book! And it’s all free—the best articles from some of the best authors you’ll find. 

B) The Snowflake Method by Randy Ingermanson. Find his 10 detailed steps under Products at  http://www.advancefictionwriting.com

         
Randy, a former software architect, lists 10 Steps that he compares to a snowflake in building a novel. He has a software program on it and a detailed book you can purchase on Amazon.)

   Here are the first 4 steps briefly which he covers in detail on his site and in his book.

      Step 1 - Take an hour and write a one sentence summary of your novel idea.

         Ex. “A rogue physicist travels back in time to kill the Apostle Paul.”

      Step 2 - Take another hour and expand that sentence into a full paragraph describing the story setup, 3 major disasters, and the ending.

      Step 3 – Characters: Write a one-page summary for each character telling their name, their storyline, their motivation, goal, conflict, and epiphany (Details on site)

       Step 4 – Expand each sentence in your paragraph summary into a full paragraph each. The final paragraph should tell how the book ends.

End each chapter with a cliff hanger!

C)  MaryLu Tyndall’s basic method for historicals: Starts with research

           1) Do detailed main character sketches with photos and index cards of main characters

           2) Write synopsis of basic story line and chapter by chapter summary

           3) Write the first draft down fast in creative mode. No editing or checking research details. Get the main plot points down, about 40,000 words

           4) Rewrite/Expand adding the polish, research details, DPOV, five senses add more tension/conflict, and end each chapter with a cliff hanger.

           5) Edit for final draft

           6) She keeps three docs pulled up in computer when writing:

              a)Chapter by Chapter summary which she uses to write the first draft, (I have a Scene List doc for each chapter as I write the scenes)

              b) A To-Remember Doc which lists things she needs to keep track of like dates, back story, ancestry, research items

              c) Add-in Doc – lists all the extra ideas that she comes up with while doing other stuff that she wants to add in later

                       (In editing to cut my novel word count, I added a “Cuts” document to paste in all cuts which I may want to use later in blogs.

              Find MaryLu’s other Writing Tips at http://www.crossandcutlass.blogspot.com

D) Prescription for Plotting Notebook by Carolyn M. Greene (Pass it around)

   

       A fantastic 3-ring binder with 75 pages of worksheets, forms and easy instructions to help plot your novel. Order it from:

           Carolyn Greene, P.O. Box 412, Powhattan, VA 23139 

      Send check or money order for $25 plus $5 for shipping.  Check out her site at    http://carolynpd.fortunecity.ws/

       (I highly recommend this notebook, if still available.)

Three “plots” I worked up for Summer of Deception

           

The main romance plot between heroine Rachel and hero Luke.

The suspense/mystery subplot of who is smuggling drugs on the Charleston coastline and what really happened to Rachel’s brother declared dead by the DEA.

The spiritual subplot of Luke’s struggle to regain faith and the testing of Rachel’s faith

The Spectrum for Spiritual Plots for Inspirational novels from Ron Benry’s Writing Christian Fiction

    ♦ At the High End: A conversion/redemption scene of a main character, grace in action

    ♦ The Middle Ground: Jesus at work in the lives of one or more characters  

    ♦ At the very least: Show progress in a lead character’s Christian walk or reaffirmed faith.

          OR: Challenge your protagonist’ moral beliefs. Judith Rolfs in a new mystery release by Prism Books, Never Tomorrow, has a scene in which the heroine’s moral belief in chastity is challenged by a character she has begun to think of in a romantic way and the heroine gives a great “No” answer.

My take on all this is: Weave in the spiritual plot through “parable/story style” not preachy style.

Don't miss the next blog(s) when I will share other writing skills I had to gain mastery in: Goals, Motivation and Conflict; MRU's; and How to Show not Tell. 

What has helped you most in plotting or planning your book? Please reply by leaving a comment and click and share this with friends on Twitter and FB.

Blessings on your day,
Elva Cobb Martin