Showing posts with label #ChristFic. Show all posts
Showing posts with label #ChristFic. Show all posts

Thursday, May 28, 2020

Read Marisol First Chapter Free! On Sale May 29- June 5 only $.99

By Elva Cobb Martin



Cadiz, Spain 1740
Chapter One      
Marisol Valentin pressed her tearful face onto the warm neck of her beloved mare, blocking out for a moment the sickening smell of human blood in the barn corridor. “Goodbye, my dear Jada.” The horse nickered and nuzzled her as if understanding. Dragging her feet out of the pregnant Andalusian’s stall, Marisol couldn’t prevent a sob escaping her lips.
She averted her eyes from the form lying in the moonlight near the tack room entrance. The still body of Diego Vargas, nobleman of Spain, sprawled across the dirt passage.
She killed him but she’d not had a choice.
 Her breath strangled in her throat as she inched by. Somehow she made it across the shadowed stable courtyard and up the rear stairs of the hacienda. Bursting into her bedchamber, she shoved the door closed, and leaned against it. The pressure in her chest, the awful bile churning her middle, they both rose up to strangle her. She drew in  ragged breaths as tears flooded down her cheeks and onto her ripped gown.
 Her maid Carmela dropped the camisole she was setting out on the bed. “Oh, my lady, what has happened?”
“Diego Vargas came into the foaling barn after I entered to check on Jada and he...” Her voice broke down. She clenched her eyes to block scenes of his savage attack assailing her mind. “He’s ruined me, and I stabbed him.” Her lips trembled. “I only meant to stop him. Not kill him.”
Carmela gasped and her hand flew across her mouth. “Madre de Dios!”
Marisol’s shoulders slumped, and she swayed toward the wash stand. Every movement of her body ached. She would have bruises everywhere by morning.
 Yes, Mother of God, if you’re there, I need your help. Would God aid a murderess? She plunged her hands into the tepid water and scrubbed them raw. “Carmela, I must flee tonight. His family will never believe my story or be content until I sit in the garroting chair. My blade is in his side.”
The woman hastened to Marisol’s side, her face pale and tense. “You will not go alone, dear one. I’m going with you.” She darted to the chifferobe and stood on tip toes to reach for the travel bags on top.
Marisol turned from the washing bowl, wishing she had more time to sponge away the man’s dreadful smell of unclean linen and wine that clung to her. But there was not a moment to spare. She frowned at her maid flinging clothes into both their valises. “No, my friend. I’ll be a castaway, a criminal fleeing justice. You must not come with me.”
Seeing her words had no effect, she continued, “You can go back to your brother’s house tonight. Say you weren’t even here.”
Carmela shook her head. “You cannot travel alone. I’m coming. I have a little savings of my own, my lady. We need to find a ship to the New World and you will be safe.” The woman squatted, loosened a floor board, lifted out a small leather pouch, and stuffed it into her bodice.
Watching her, Marisol sighed and ceased trying to discourage her. She did not have time to protest. She rushed to the wardrobe and snatched a garment. The notion of an escape to the colonies of Spain in the West Indies took root in her mind. Carmela helped her peel off her ruined clothing and change into the simple, dark blue silk dress. She decided against a hoop or layers of petticoats. They would have to travel fast and on foot. She agreed with her maid about the type of shoes. She would put on her thick, black leather boots. Who knew how long they would have to walk over what kind of terrain to the harbor? Heretofore, she’d only gone there in a carriage and by the main road.
Marisol opened her jewel case and scooped up her valuable necklaces, pearl comb, and the Valentin rose-cut ruby brooch, her precious last gift from her mother. Dear Madre. How she missed her. She pressed an emerald choker into Carmela’s hand. “For our passage when we get
to the harbor,” she whispered and stashed the rest of her jewels in a concealed pocket under her skirt. But she tied the thin leather strap bearing the ruby pin around her neck and thrust the gem deep into the top of her gown. She dropped her mother’s miniature into her bag. Her heart faltered as she thought of her departed father and how his proud Valentin name would now become a byword linked with murder. A tear ran down her cheek. She swiped at it and cast her mind again on the New World. Maybe they could make it to her father’s sister in Cartagena on the Spanish Main. Aunt Lucia would help her, and that destination should be far enough away.
She reached to the rear of the chifferobe and withdrew a short Sevillian steel blade, similar to, but longer than the navaja left in Diego’s chest. She cast aside the memory of his glazed, shocked eyes and slid the weapon into the top of her boot. Her father’s brother, who now managed the estate, did not know about the rapiers her dear Papa had given her. Nor had she told him about the sword fighting lessons, he’d insisted she take.
Her maid touched her arm. “I will go as your dueña and you’ll be safer on the road and on the ship.”
Carmela dressed her own dark hair as an older woman’s, donned a plain black dress, headpiece, and wrap. She handed Marisol a blue cloak and thick lace mantilla to cover her tresses and shadow her pale face. Then she moved to the cold supper tray and stuffed every sandwich and biscuit she could into her pockets.
A glimmer of a smile touched the corners of Marisol’s mouth. Dear Carmela, only ten years older than her own eighteen summers, but so sensible. They would require food on their long journey. Her maid resembled a stern governess, clad as she was. She loved and trusted the woman like a sister she’d never had.
Before leaving the room in which she grew up, Marisol marked her reflection in the walnut framed mirror over her marble-topped dresser. Her mantilla covered most of her thick, ebony hair. But the lace edge pulled close did not mask the paleness of her face or the bruise on her left cheek where Diego had knocked her to the barn floor.
Careful not to awaken the servants on the top floor, they glided like silent ghosts down the hall, the staircase, and through the shadowed kitchen toward the back door. Carmela lifted a leather skein of water from the servant’s pantry and draped it across her sturdy shoulder.
Marisol followed the woman outside and to the farm road exit carrying her own valise. The moon drifted in out of clouds like a stealthy galleon following its prey.
Carmela unlatched the wide gate, and they passed under the arched sign above the entrance. Marisol stole a look backward. Valentin Andalusian Stud Estate. Her heart broke anew. She loved the famous Spanish horses they bred, the spacious home her mother had once graced, and the large estate her papa had run like a gentle lord. Would she ever see it again? Nothing had been the same since her uncle took over at her father’s death. A tear plopped down her cheek. The man had several faults but one most costly—gambling.
The taunting words of Diego tripped back across her hot mind. “Don’t think your dear uncle will come to your rescue, my girl. I’ve won all he owns tonight, including you. And he’s passed out drunk in the Vargas game room.”
“Walk faster, my lady,” Carmela urged her on the narrow path winding through the forest below the main road. “We must reach the harbor before dawn.”
Marisol cast her sorrowful thoughts aside and did as her maid asked. The breeze rustled through leaves, and the screech from a pursued animal gave her pause. She took a deep breath.
The woodsy smell of wild mint, sweet cedar, and verdant growth encouraged her, and she continued on as fast as she could.
They passed the last majestic oak on the Valentin estate. No lights or shouts followed them from the house or stables. The tightness in Marisol’s shoulders eased, but not the heaviness in her heart. Murderess. The word stung her mind like a scorpion.
The unpredictable moon covered their flight one moment and revealed their hasty passage the next.
“How long should it take us to get to the harbor, Carmela? Surely we can count on the night for travel before they will miss us in the morning.” Before the stable hands find Diego’s body. Marisol shuddered and ignored her tiring legs. The humid evening air promised rain. Something else to worry about.
 “We must walk fast, my lady. I’ll not have any peace until we’re on a ship setting sail. And we can’t go the easy road. We have to stay in the forest shadows cuatro millas más. But never fear, I know the way.”
Four more miles? How many had they traveled already? Marisol marveled that the woman wasn’t even breathing hard. Her own legs ached from the continued rapid walk and she switched her valise to her other hand for relief. Her maid must have sensed her tiredness for she soon left the path and stopped at a log lying deep in the trees. Marisol dropped her baggage and sat. Her partner did the same.
“We can rest now, my lady. But merely for a moment.” She swung the skein from her shoulder and passed it to Marisol. The welcome water soothed her dry throat and refreshed her.
Too soon Carmela stood up, and Marisol followed her back onto the path.
When she felt she couldn’t take another step, the scent of the sea and cry of seagulls lifted her heart and renewed her energy. They had to be close to their destination. When the moon moved out from the clouds, she could see in the distance a row of waterfront buildings lit by feeble lights and beyond them, the tops of ship masts bobbing in the water. The harbor of Cadiz. Thunder rumbled, and the sound of horses on the high road made Marisol tremble. Carmela pulled her from the path into the forest. She stopped at a large oak stump.
“We are entering the most dangerous part of our journey, my lady,” she whispered. “And it may rain. We must wait for time to buy passage on one of the ships at dawn and we won’t have our cover of darkness. I’m going to look for a merchant ship heading to Hispaniola.”
“But I want to go to Cartagena. I have an aunt living there who will help us.”
“So you have someone who might offer you shelter? That’s good news, my lady. And don’t fret; from that island we can gain passage to your aunt’s city and to any other Spanish colony. It’s the right port to find our way in the West Indies.”
“Oh. I am so glad you know all this, Carmela.”
The woman smiled. “Well, that comes from having a father and a brother who were sailors. Now would you like to rest here until I check things out?”
Marisol nodded and sank onto the tree stump. She dropped her valise next to her aching feet.
Her tired mind kept replaying the face of Diego Vargas, her ears still heard his contemptuous voice as he clamped her hands behind her back. “Since I saw you dance the flamenco at the harvest gathering, I knew I would have you. And I guessed right you would check on your prize mare tonight to see if she had foaled. I’ve got plans for this stud farm. Europe is begging for our Spanish horses.”
Marisol shook her head and forced away the memory of Diego. She propped her elbows on her lap and leaned her chin onto her hands. For just a moment she closed her eyes.
Cool raindrops on her face awakened her. She lay on the damp forest floor next to the stump. Surprised, she sat up and looked around. Pink and purple streaks spread across the horizon. Where was Carmela? 
Marisol stood and grabbed her valise. She followed the path from the woods her maid had taken and came to the outskirts of the harbor town. Continuing through narrow, sleepy streets of Cadiz, she passed store fronts whose owners had yet to open their shutters. Somewhere a baker cooked bread. The smell of fresh loaves made Marisol’s mouth water. The shrill cries of two cats fighting in a nearby alley startled her, and she dropped her bag.
Heavy footsteps sounded behind her. Before she could turn about, thick arms strong as iron bands wrapped around her. The odor of sweat, rum, and unwashed clothing gagged her. In another quick movement her captor grabbed her hands and clapped a cuff on her wrists. She tried to scream but a foul-smelling hand clamped down on her mouth. She bit into the fingers and the metallic taste of blood flowed onto her lips.
The man slapped her so hard for a moment she lost consciousness. His harsh words, spoken in a guttural whisper next to her ear brought her back. “If you try that again, you’ll be sorry, senorita, and don’t scream or you’ll die and I mean a painful death. We thought there might be more of you heading to the harbor.”
Others? Poor Carmela. Had they caught her, too? If only she’d had time to reach for her knife in her boot before he’d twisted her hands behind her.
The man, twice her size, pulled her into an alley like a rag doll with his hand still over her mouth. Carmela lay bound on the ground before a tall ruffian with a full red beard and wild hair.  Her maid twisted her head around and groaned through her gag when she saw her mistress.  
The larger captor holding Marisol bragged. “Now we have two fine senoritas to help colonize the King’s colonies. These ought to bring plenty of gold, Jacque.”
The man kicked Carmela and her moan made tears spring to Marisol’s eyes. “Yeah, well this one put up quite a fight. But she ain’t going nowhere, except to that ship awaiting a few more warm bodies for the Indies.”
 The ruffian called Jacques ripped the mantilla from Marisol and gagged her with it. Then he wound her cloak around her body like a mummy, preventing all movement.
Carmela’s captor pulled a sack over head. He lifted her and slung her across his shoulder as if she were a sack of potatoes.
The monster standing over Marisol did the same and plopped her on his back as if she were a feather weight. He patted her covered head as they moved out onto the harbor road. “You senoritas can rest easy. We’re bringing your valises, too. We’ll make sure your valuables find their way into our pockets before we put you on the ship.” His low, wicked laugh, echoed by his mate, made her want to chew nails and throw up at the same moment.
***
Six weeks on board the Magdalena were more like months for Marisol. Most of the time she and Carmela stayed in the cramped women’s cabin to avoid the crew and the indentured male passengers. But a greater concern gripped her than the crowded conditions. Every morning for the past week she had thrown up in the chamber pot. El mareo? But she had never suffered sea sickness when sailing.
One day after a difficult episode, Marisol wiped her mouth and sank onto the cot. Other women in the cabin had murmured when her vomiting started and piled out the door as fast as they could. Only Carmela remained. Concern ridged her face as she handed her mistress a damp cloth. She patted her hand, and whispered, “My lady, do you also have a tender bosom?”
Marisol hung her head. “Yes, dear friend.” A tear slid down her cheek. “I may be with child.”
“How do you feel about that since...” Her maid lifted her brow.
Marisol faced her. “You think because I conceived a babe in violence, I would hate the little one?” She didn’t expect her friend to answer. “The child had no choice in this matter. I would never be bitter against an innocent baby.” She looked away. “But I wonder how we can ever handle this.”
“But our God will care for you, milady, and the babe.” Carmela spoke with confidence.     Marisol shook her head. “The same one who protected me from Diego and both of us from the kidnappers? Sorry to disappoint you, dear friend. But I have no such assurance.”
A deafening boom sounded from the side of the ship. They both jumped to their feet. Another blast followed, and the cabin rocked, causing them to grab hold of the cot posts to keep from being thrown to the floor. The sound of splitting wood, running boots, and vulgar curses echoed from above. Smoke seeped down into their space.
Carmela coughed and wrapped her arms around herself. “We’re under attack, and they have hit us. May the Blessed Virgin have mercy on us.”
The other women passengers flew into the cabin, their faces tight with fear. The last one in, bolted the door. A few minutes later, loud knocking sounded. 
“Who is it?” Marisol called.
A hoarse, anxious voice answered from the passage. “The Captain says tell ye, we are under attack by them English pirates and ye may have to fight for your lives.”
The voice was somewhat familiar. Marisol pushed toward the sound, unbolted the door and opened it wide.
A short Spanish sailor stood there, pale under his dark tan. “He’s sent a sword. Hope one of you can use it.”
He thrust a rapier handle into Marisol’s hands and scrambled back up the passage.

                                                   End of Chapter 1

Hope you enjoyed this beginning of Marisol, Spanish Rose, Book 1 in our Charleston Brides series. Grab it at this link for $.99 Friday, May 29 - Friday, June 5https://amzn.to/3dfMBOM


Book 2 Georgia Ann, English Rose is now on pre-order sale. Have it come into your inbox when released in November!
https://amzn.to/2ZLUbwA



Have a blessed, wonderful day,
Elva Martin

Elva Cobb Martin is 2020 President of the SC Chapter of American Christian Fiction Writers. She is a former school teacher and a graduate of Anderson University and Erskine College.  She has three inspirational novels published, Summer of Deception, a contemporary romantic suspense, and two historical romances, In a Pirate’s Debt, and Marisol, Book in a new Charleston Brides series for  Wild Heart Books. All three novels have spent time on Amazon’s 100 Best Sellers List for Women’s Religious Fiction.
Link to all her books: http://amzn.to/2pOgVHI

Saturday, February 29, 2020

How I Write a Novel - Part 3 Second Draft

by Elva Cobb Martin

To recap this series, in Part 1 we shared how important prayer and faith are in writing Christian Fiction. I shared a special prayer I pray over my writing and some strong Christian Writer's Faith Confessions. Find that blog here: http://bit.ly/2I4PPqA


In Part 2 I shared how I plot storm, then write that difficult first draft to get the main plot points down without much editing. I describe documents I open up and save on my computer that I'll keep adding to as I write the first draft.  To read that blog, click here: http://bit.ly/386UnXX


Now we begin Part 3 - The Second Draft. This draft seems easier than the first draft when I was working hard to get the main points of the story down. So I now have my story, the beginning, middle and end, in about 40,000 words. My goal is 60,000 for this second draft, so I must keep writing. 

In the second draft, I do some fine tuning:



  • Add more details, descriptions, research, I skipped or skimped on to finish the first draft.
  • Check for staying in deep point of view (DPOV) with each main character's voice.
  • Add the five senses more
  • Double check the book's opening hook and make sure each chapter ends with a CLIFFHANGER hook to keep readers reading.
  • Evaluate/strengthen the three main parts of my story: the romance, the adventure (outside happenings that affect the H/H), and the spiritual arc or how my H/H will grow in their faith, or be tested or learn to overcome.
Next time I'll share how important I've found it to be, to print out that second draft and what I check for.

Thanks for stopping by. Would love your comments about how you write a novel. Please share on your social media by clicking on the small icons below.

Blessings,
Elva

Elva Cobb Martin is 2020 President of the SC Chapter of American Christian Fiction Writers. She is a former school teacher and a graduate of Anderson University and Erskine College.  She has three inspirational novels published, Summer of Deception, a contemporary romantic suspense, and two historical romances, In a Pirate’s Debt, and Marisol, Book 1 in a new Charleston Brides series for  Wild Heart Books. All three novels have spent time on Amazon’s 100 Best Sellers List for Women’s Religious Fiction.













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Wednesday, November 6, 2019

Writer's Devotion: Writing in a Fierce Culture

by Elva Cobb Martin

Second Timothy 3:1 in The Passion Translation exhorts us:

"You need to be aware that in the final days the culture of society will become extremely fierce."

This New Testament book, II Timothy, is Paul's swan song, his very last writing. He seeks to impart wisdom and courage to his spiritual son Timothy. In Chapter 3 he warns Timothy what society will be like in the last days: self-centered, obsessed with money, proud, mockers of all that is right, addicted to hate and malicious slander. "Slaves to their desires..." he says, "they will act without restraint."

Sounds like he's been reading our newspapers, watching our TV, and internet. So many disturbing things are going on, especially from the pro-abortion, pro-gay advocates that we need to take our stand against.

Our pastor put this in context for me recently when he said, "We Christians are called to show unconditional love, but not unconditional approval."

As Christian writers how can we deal with all the upsetting things, take our stand when we can, keep our sanity and focus, and still manage to write something worthwhile? Is writing fiction a valid realm to spend our time on?

Award-winning authors Brock and Bodie Thoene believe that fiction is biblical. That Jesus didn't just give people the facts of how to have a good life, he told the facts in a story context that captured their hearts. Parables. Stories. They believe Christian writers can go into all the world with their books and help change lives with Christian themes in the context of a great story.

My new novel, Marisol, will be released next week, November 12. My premise or theme for this story is:

Love, forgiveness, and determination can overcome terrible experiences and poor choices when God is invited into the equation. 

https://amzn.to/33Npc2L


Escaping to the New World is her only option...Rescuing her will wrap the chains of the Spanish Inquisition around his neck. 

 Marisol Valentin flees Spain after murdering the nobleman who molested her. She ends up for sale on the indentured servants’ block at Charles Town harbor—dirty, angry, and with child. Her hopes are shattered, but she must find a refuge for herself and the child she carries. Can this new land offer her the grace, love, and security she craves? Or must she escape again to her only living relative in Cartagena?

Captain Ethan Becket, once a Charles Town minister, now sails the seas as a privateer, grieving his deceased wife. But when he takes captive a ship full of indentured servants, he’s intrigued by the woman whose manners seem much more refined than the average Spanish serving girl. Perfect to become the governess for his young son.


As their paths intertwine on a journey filled with danger, intrigue, and romance, only love and the grace of God can overcome the past and ignite a new beginning for Marisol and Ethan.
                                                                    ***
Do you think this story might have a message that could impact our fierce culture?

Thanks for stopping by. Would love to hear your comments and please  share.

Blessings,
Elva


Elva Cobb Martin is Vice President of the SC Chapter of American Christian Fiction Writers. She is a former school teacher and a graduate of Anderson University and Erskine College. She has two inspirational novels published, Summer of Deception, a contemporary romantic suspense, and an historical romance, In a Pirate’s Debt. Both have spent time on Amazon’s 100 Best Sellers List for Women’s Religious Fiction. She has indie published a Bible study on Amazon, Power Over Satan, on the  believer's authority in Christ. Decision, Charisma, and Home Life have carried Elva's articles. She and her husband Dwayne are retired ministers. A mother and grandmother, Elva lives in South Carolina. Connect with her on her web site http://www.elvamartin.com, Twitter www.twitter.com/ElvaCobbMartin; Facebook http://www.facebook.com/elvacobbmartin;  and Pinterest https://www.pinterest.com/elvacobbmartin  
 Link to her romance novels and non-fiction works 
on Amazon: http://amzn.to/2pOgVHI 

Coming Nov. 12, 2019  Marisol  Book 1 in Charleston Brides
          https://amzn.to/33Npc2L


Monday, October 15, 2018

Editing Your Novel - Part 2 A Great Editing Software

by Elva Cobb Martin


Editing a novel is a big undertaking. I highly recommend ProWritingAid, a world-class editing software, that really tackles this job with gusto. It's like having your favorite editor standing over your shoulder pointing out things you need to change, and giving you options. This program can work right in your Microsoft documents. At the end of this blog I will give you a discount link to this software, if you decide you're interested.

Today I want to start giving you a list of the 20-plus major items this software will help edit in your novel. I'll even give you examples from my own novel as I edited using the program.

First, the Writing Style Report: This highlights several areas of writing that should be revised to improve readability, including passive voice, overuse of adverbs, repeated sentence starts, hidden verbs, unneeded words, and much more. Isn't that a bunch of things that need checking? And this is just the Style Report.

Here's a sample with the editing marks of the Writing Style Report from the first draft of my work-in-progress (wip) Marisol, a Christian historical romance.

In his merchant office above the dock, Ethan checked off all the cargo goods on his accounting sheet that Tim had left for him. The sugar, tobacco, cacao and casks of rum from Jamaica had been delivered to the buyers and at a good price. He’d made a neat profit on this merchant trip. Not to mention the gold they had plundered from the captured Spanish galleon carrying Marisol and the other indentured servants. He still had quite a few pieces of eight and nuggets to add to his strongbox besides the coin he paid for Marisol’s indenture paper. As usual, when the Spaniards ran up the white flag and surrendered under his cannons, he ordered the crew to take the gold and let the ship go free. They had been surprised to find indentured servants aboard.

While Ethan worked with the figures in his accounting book, and stashed the gold in his secret place, one thought kept fluttering across his mind. What kind of woman would have the courage or the know-how to stop a snake with only her boot? What other secrets did this woman have under that mane of shining black hair?

(Now I see I need to change the passive voice in the two purple sentences.)

Here's another sample showing unneeded words:

Ethan needed to go before recollections of his happy years with Olivia at the little church brought the familiar pain and drought to his soul. He picked up the reins. “Sir, I need to be getting home before dark. I do wish you and your family my very best. And do drop by to see the new governess I found for our Joshua. I believe you’ll like her.

You can check out ProWritingAid.com and get a free sample of your work edited. 

Here's a link for a discount, I think will still work, if you decide you would like to purchase the software: https://prowritingaid.com/en/App/Purchase?rf=10&mafid=647213

Thanks for stopping by. I'll continue these editing tips next time. Please share this blog on your social media by clicking on the small icons below.

Blessings.
Elva




Elva Cobb Martin is vice-president of the South Carolina Chapter of American Christian Fiction Writers. She is a former school teacher and a graduate of Anderson University and Erskine College. She has two inspirational novels published with Lighthouse Publishers of the Carolinas. Summer of Deception, a contemporary romantic suspense, and an historical romance, In a Pirate’s Debt. Both have spent time on Amazon’s 100 Best Sellers List for Women’s Religious Fiction. She has indie published a Bible study on Amazon, Power Over Satan, on the  believer's authority in Christ. Decision, Charisma, and Home Life have carried Elva's articles. Jim Hart of Hartline Literary represents her. She and her husband Dwayne are semi-retired ministers. A mother and grandmother, Elva lives in South Carolina. Connect with her on her web site http://www.elvamartin.com,on Twitter www.twitter.com/ElvaCobbMartin; Facebook http://www.facebook.com/elvacobbmartin;  and Pinterest https://www.pinterest.com/elvacobbmartin    
 Link to her romance novels and non-fiction works on Amazon:http://amzn.to/2pOgVHI





Wednesday, October 3, 2018

Editing Your Novel - Part 1 Finish First Draft

by Elva Cobb Martin
Good editing is like going through a gate to an exciting, better book. Here I am entering a Georgetown,SC, rice plantation. I refused to let the rain hinder my tour or photos.
How do you write your novel? Where does editing come in?

For me, the real editing begins after the first draft. 

I write the first draft mainly to get the plot points down, tell the story, hit the major scenes I've already planned. I work hard and fast getting my opening set up, hitting important scenes in the middle, and writing the major ending scenes, including the black moment and the HEA. 

If I try to do a lot of editing in the first draft, I may never get to THE END. I know folks, like me earlier, who struggle years trying to write that "novel." But it takes so long if you try editing as you go along, for example, editing what you wrote yesterday before going on today. Trust me, that's going up the ladder backwards. 

When I finish that first draft, I might have 45,000-50,000 words, but will need 60,000-80,000 words for the final draft, according to what a publisher I've queried might ask for.

Reviewing, here's what works for me in novel writing to finish that first draft:

1) I spend quality time planning that first draft. Planning your novel is described in my 10-part series earlier in this blog. Find Part 1 here http://bit.ly/2zPmZa1

Here's the list of the other 9 parts in the archives:

Part 2 -  Premise
Part 3 -  Pitches and Book Tags
Part 4 -  Characterization Special -Dancing Horse & Heroine
Part 5 -  Deep Heroine Characterization
Part 6 -  Hero Characterization
Part 7 -  Secondary Characters
Part 8 -  Outlining
Part 9 -  Choosing the best opening scene
Part 10 - The Fiction Proposal

So don't fudge on your novel planning. It will help that first draft be a fast birthing! I've learned since writing that series that making a time line of historical events to cover my historical series will be a great help. 

So you finished your first draft! Congratulations!

It's a wonderful accomplished feeling to finish the first draft.
Can't you hear the success bells ringing when any one asks, "How is your novel coming along?"  And you can answer. "Fine, I've finished the first draft."

Celebrate every goal reached!

So once I finish the first draft, it's time to go back through and add all the spit and polish, including great sun rises and sun sets if on a sailing vessel like I often spend time. 

Three vital questions I ask myself to begin editing after finishing the first draft: 

1) Do I need to add more scenes to reach my word count or       add more detail in scenes to make more vivid?

b) Am I staying in Deep POV and not head hopping? For my 4-Part series on DPOV click here for Part 1:  http://bit.ly/2EyAtdK.

c)  Am I using the five senses, strong verbs, strong adjectives?

Hey, thanks for stopping by. Hope this has helped you today.
I will go in much more detail about editing a first draft in Part 2 next week. Please leave a comment if this has helped and share on your social media by clicking on the icons below.

Blessings on your writing,
Elva Martin


Elva Cobb Martin is vice-president of the South Carolina Chapter of American Christian Fiction Writers. She is a former school teacher and a graduate of Anderson University and Erskine College. She has two inspirational novels published with Lighthouse Publishers of the Carolinas. Summer of Deception, a contemporary romantic suspense, and an historical romance, In a Pirate’s Debt. Both have spent time on Amazon’s 100 Best Sellers List for Women’s Religious Fiction. She has indie published a Bible study on Amazon, Power Over Satan, on the  believer's authority in Christ. Decision, Charisma, and Home Life have carried Elva's articles. Jim Hart of Hartline Literary represents her. She and her husband Dwayne are semi-retired ministers. A mother and grandmother, Elva lives in South Carolina. Connect with her on her web site http://www.elvamartin.com,on Twitter www.twitter.com/ElvaCobbMartin; Facebook http://www.facebook.com/elvacobbmartin;  and Pinterest https://www.pinterest.com/elvacobbmartin    

 Link to her romance novels and non-fiction works on Amazon:http://amzn.to/2pOgVHI








Saturday, July 7, 2018

Do These Openings Draw You Into the Story?

by Elva Cobb Martin


This busy summer is proving difficult to keep at my normal writing speed. July in South Carolina is very hot, and this year, also humid. I seem to keep a film of perspiration down my back with minimal activity, even with good A/C. (Notice we southern belles DO NOT sweat. We perspire.) LOL

BUT I WILL NOT GIVE IN OR UP whether sweating or perspiring! Today I am going to give you a breakdown of what I am working on and some openings. Taking stock like this, keeps my writing goals from wilting in this summer heat. Jerry B. Jenkins says even if you can't write at the moment, keeping your goals in mind will make your subconscious work on your project while you're trying to get back to it. 

Here are my three current projects, two fiction, one NF:


1) An inspirational historical romance series set in the 1700's. I have completed the first draft of Book 1, Marisol, at 50,000 words and am starting back on the polishing which should raise the word count to about 70-75,000. I write my first drafts pretty fast to get the main plot points down, including the ending, then I go back and spit polish adding extra research and description before final editing. 


Chapter One    Cadiz, Spain, 1740  

Marisol Valentin pressed her tearful face on the neck of her beloved mare and tried to smother the ghastly metallic scent of blood in the corridor behind her. “Goodbye, dear Jada.” She forced her eyes from the sleek Andalusian and turned back toward the barn entrance.
Her breath strangled in her throat as she inched by the body of Diego Vargas, nobleman of Spain, sprawled in the passageway. She stumbled across the dark stable yard, and up the back stairs of the hacienda. Bursting into her bedchamber, she shoved the door closed, and leaned against it. Tears dripped onto her torn gown.
 “Oh, my lady.” Her maid dropped the camisole she was laying out on the bed. “What has happened?”
“Diego Vargas is dead. He came into the foaling barn after I went to check on Jada and         he . . .” Her voice cracked. She clenched her eyes to stop scenes of his brutal attack assailing her mind. “He’s ruined me.” Her lips trembled. “And I stabbed him to death with my sword.”

Carmela gasped and her hand flew across her mouth. “Madre de Dios!” 



2) A Christian Cozy Mystery

 Chapter 1
Aggie Perkins froze and gaped at the marble face of the man lying in the grass in the Meditation Labyrinth next to the chapel. A single bullet hole pierced his forehead. He was dead—dead as the proverbial door knob. He lay stretched out on his back with his hands folded across his chest.
     When she could breathe again, she stooped and groped for her purse she’d dropped on the lakeside footpath. She never took her eyes off the deceased she knew as Mr. Guy Jensen. Poor soul. Who would want to go and kill an old man like him? He kept to himself. Never bothered anyone. She shook her head and tried to remember the last time she’d witnessed to him about the hope in Christianity as she manned the registration desk at Lambton Inn. He cut such conversations off as fast as they began. Well, he certainly knew about the hereafter now.
     She sighed and then dug in her shoulder bag. Under a half dozen tissues, a too-pink tube of lipstick and sundry throat lozenges, she found her cell and dialed 911.
     “Sheriff’s office.” A female voice responded fast and interested.
      Aggie took a needed breath and willed her heart to quit rocking in her chest. She stumbled over the first words but cleared her throat and started again in her normal husky voice. “This is Aggie Perkins at Lake Juno Conference and Retirement Center. I’ve found a dead man, one of our residents, in our Meditation Garden. Is that new Deputy Dawson around?”
     “A dead man? Are you sure he’s dead?”
     “Of course I’m sure. I’ve seen a few deceased folks in my sixty years, young lady.” Then, not able to keep her eyes from returning to the terrible wound, she added with a shudder, “First time I’ve seen a bullet hole in a forehead, though.” 

Do these openings tempt you to read more? Feel free to critique.

3) A Healing School 4-week Class (Speaking and Writing)
The pastor of the church we attend asked me to do a four-week teaching on what the Bible says about healing. These free classes will be held on eight Wednesday nights for one hour starting July 11- August 29. Each class will last four weeks, then be repeated as other classes are also being offered and folks can sign up for two classes.
I love to share what the Bible says about our wonderful healing covenant in Christ! I believe all this study, preparing handouts, and sharing will evolve into another Bible study I will publish on Amazon. I already have Book 1 indie published on Amazon, Power Over Satan. Book 2 will most likely be Power Over Sickness. Would you join me in prayer for God to move mightily in those who need healing, to draw those who need to come, and for me to share exactly what He would have me share?

Thanks for stopping by. Want to share your writing projects and help keep them fresh? Did my fiction openings draw you into the story? Do leave a comment and share this blog by clicking on the small icons below.

Blessings,
Elva 

Elva Cobb Martin is vice-president of the South Carolina Chapter of American Christian Fiction Writers. She is a former school teacher and a graduate of Anderson University and Erskine College. She has two inspirational novels published with Lighthouse Publishers of the Carolinas. Summer of Deception, a contemporary romantic suspense, and an historical romance, In a Pirate’s Debt. Both have spent time on Amazon’s 100 Best Sellers List for Women’s Religious Fiction. She has indie published a Bible study on Amazon, Power Over Satan, on the  believer's authority in Christ. Decision, Charisma, and Home Life have carried Elva's articles. Jim Hart of Hartline Literary represents her. She and her husband Dwayne are semi-retired ministers. A mother and grandmother, Elva lives in South Carolina. Connect with her on her web site http://www.elvamartin.com,on Twitter www.twitter.com/ElvaCobbMartin; Facebook http://www.facebook.com/elvacobbmartin;  and Pinterest https://www.pinterest.com/elvacobbmartin

 Link to her romance novels and non-fiction works on Amazon:http://amzn.to/2pOgVHI